The Sound of the City : The Rise of Rock and Roll ( New York : Outerbridge and Dienstfrey, 1970 ) .
 
10 Fredric Dannen, Hit Men : Power Brokers and Fast Money Inside the Music Business ( New York : Times Books, 1990 ) ; Steve Jones, Rock Formation : Music, Technology, and Mass Communication ( Newbury Park, CA : Sage, 1992 ) ; R. Serge Denisoff, Tarnished Gold : The Record Industry Revisited. 11 Dave Kusek and Gerd Leonhard, The Future of Music : Manifesto for the Digital Music Revolution ( Boston : Berklee Press, 2005 ) .
 
12 Patrick Burkart and Tom McCourt, Digital Music Wars : Ownership and Control of the Celestial Jukebox ( Lanham, MD : Rowman & Littlefield, 2006 ) .
 
13 Jason Toynbee, “ Copyright, the Work and Phonographic Orality in Music, ” ; Siva Vaidhyanathan, “ Copyright as Cudgel, ” The Chronicle of Higher Education 48 ( 47 ) , August 2, 2002 : B7 ; David Hesmondhalgh, “ Digital Sampling and Cultural Inequality. ” 14 Kembrew McLeod, Freedom of Expression : Over Zealous Copyright Bozos and Other Enemies of Creativity. 15 Howard S. Becker, Art Worlds ( Berkeley : University of California